today
10 a.m. World AIDS Day 2008 Week of Events See Event Description
read >4:30 p.m. HomeWork Hotline Call for details
read >5:30 p.m. Government Benefits 101 Champion Advocates LLC
read >5:30 p.m. North Coast Icarus Project People's Action for Rights and Community (PARC)
read >7 p.m. Golden Dragon Acrobats in Cirque D’Or Van Duzer Theater at HSU
read >7 p.m. College of the Redwoods Jazz Orchestra College of the Redwoods
read >7:30 p.m. Brew & View Accident Gallery
read >7:30 p.m. The Glasnost Family Holiday McKinleyville High School
read >8 p.m. G-Money Karaoke Cher-Ae-Heights Casino
read >8 p.m. Sunnybrae Jazz Group Six Rivers Brewery
read >8 p.m. Wynonna--A Classic Christmas Tour Arkley Center for the Performing Arts
read >9 p.m. Blues Jam w/the Uptown Kings Jambalaya
read >previous columns
Aug. 28, 2008
Parc Avenue
By Plants and Animals. Secret City Records.
read >Aug. 21, 2008
Friendship Nation
By Foot Village. Tome Records.
read >Aug. 14, 2008
Parades
By Efterklang. Leaf Label.
read >Photos
Indigo Shoes
By Absynth Quintet. Sidenote Records.
By Monica Topping
If you’ve been lucky enough to see the local band Absynth Quintet play live, you know they’re amazing. Sometimes the improvisational jams may go on just a tiny bit too long, but the individual band members’ undeniable talent quashes any negative aspects on that front.
The collective picking styles presented by Ian Davidson on banjo, Bird Jowaisas on mandolin and Ryan Roberts on guitar are hypnotic. Drummer “Tofu” Mike Schwartz and upright bassist Rudy Luera hold down the beat and are essentially responsible for the band’s ability to switch from bluegrass to gypsy jazz to Latin, sometimes all in one song.
Some bands record amazing studio albums, but can’t recreate the brilliance live. Others are incredible live, but their studio work just doesn’t measure up. The Absynth Quintet pulls off both live performances and studio recordings quite well. Their just released album Indigo Shoes flawlessly mixes different styles of jazz and bluegrass together, without any awkward transitions and with no bad tracks.
Among the highlights: the third track, an instrumental called “Let’s Just Cuddle Tonight,” which sounds like the opening credits to some unknown movie. A healthy dose of banjo and some lovely fiddle work by guest player Zebulon Bowles remind us that Absynth plays more than just gypsy jazz.
By the time “the Rev. Sam” rolls around, the groove is there. On the bluegrass side, it’s perfect music for cruising through town, radio cranked up and windows rolled down, singing along like no one can hear you.
Track six, “D.C.A.,” starts with some gypsy jazz then takes a sort of unexpected foray into Latin rhythms. It literally got stuck in my head for hours the first few times I listened to the album.
“Dorado’s Chest” has a very distinct flavor of David Byrne, both in musical and vocal style, combining elements of gypsy jazz with bits of swing, and features Steve Porter on the musical saw.
“LMNOP” is my fave. Seductive and sultry, it's the album’s slow dance number. The addition of Rob Diggins’ violin adds to the beauty of the straightforward jazz tune.
To say I like this album a lot is a complete understatement. Indigo Shoes is not a replacement for experiencing Absynth live, but it will get you by during the week, without leaving you hung-over in the morning.
And speaking of seeing the Absynth Quintet live, the band is celebrating the new album with an official CD release party at the Jambalaya Friday, Sept. 5. You know I'll be there.

















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