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January 4, 2007

Lost Coast Trilogy, Part One:
Mattole to Spanish Flat
story & photos by BENNETT BARTHELEMY
I feel serendipity each
time I go to the Lost Coast. It doesn't matter that I discovered
it long ago and have explored it many times. Or that an incredibly
diverse cast of historical and contemporary figures have wandered
through or made their home or livelihoods there. It always retains
that aura of mystique for which it was so aptly named. Although
just a few seconds of the hour-long symphony that is the 1,200
mile California Coastal Trail, it holds onto some of the loudest
echoes (fugues?) of the most pristine and isolated pockets of
landscape that are all too quickl y
fading into memory here on the left coast.
The Sinkyone spent countless lifetimes there. Sailors
of Chinese junks blown far off course surely languished away
on the windy, fog-swept shores. Spanish explorers planting silver
crosses read the Requirimiento to the crumbling greywacke. Soon
after, timber barons were hacking away at the old-growth forests
and constructing railroads and wire timber chutes, shaggy vermin
known as sheep were trampling hills high above the shore in the
King Range -- but somehow it still retains the element of a newly
created Eden. Up to 200 inches of rain in a year can help hide
much of the past if a place is largely left alone for 30 years.
The obvious place to start the 50-odd-mile journey
happens to be very near the northern terminus of the San Andreas
Fault, known as the Mendocino Triple Junction. Since 1983 there
have been close to 100 earthquakes measuring 3.0 or above where
the Gorda, North American and Pacific plates collide. The mouth
of the Wild and Scenic Mattole, home of MSG (Mattole Salmon Group)
and stomping ground of local literary giant Freeman House, is
an auspicious place to begin one's reconnection with a considered
and cared-for landscape.
If you have done the heinous multi-hour tiny back
road shuttling of another vehicle to Shelter Cove (for the northern
Lost Coast), or, better, have managed to convince someone to
pick you up, or, better still, have made a plan to pass car keys
at mid-way with friends hiking up from the south, then the 25
miles of one-way fun can begin. I always opt for leaving behind
heavy hiking boots, as the majority of the hike is on sand. The
vehicle of choice being comfy old shoes and, as back-up, a pair
of velcro sandals for the dozen or so stream crossings (especially
in springtime). Blisters on toes and heels are fairly unavoidable,
due to all the damn friction caused by sand.
Lots of moleskin and a 50-cent tidal chart are
crucial. Knowing how to read a tidal chart is helpful, too. On
my last trip out as guide, I gave the students the chart as part
of the indoctrination of fostering trust, accountability and
self-sufficiency, and took them at their word. We ended up racing
between surges of the incoming high tide as waves exploded against
an unclimbable promontory.
The Lost Coast has claimed more than a few unwary
individuals to the intensity (implacable indifference to our
well-being, as E. Abbey would say) at the turbulent aquatic edge.
I met an
old Boy Scout who in March of 1964 was going for a merit badge
to be bestowed upon completion of his Lost Coast hike. He remembered
an eerie calm after the buoy bell stopped ringing offshore. Luckily,
they had the forethought to set up camp high on a bluff when
the famed '64 tsunami hit.
After being followed southward by the watchful
eye of seals in the surf zone, one eventually reaches the "Alcatraz"
of lighthouses, which was finally abandoned in 1951. All along
this section of coastline you could bump elbows with the ghosts
of those who have washed ashore from steamship or schooner having
foundered in fog or storm. Having difficulty seeing them, I usually
pass just half a dozen people until I reach the coveted surfing
destination of Big Flat, some 17 miles in.
South from the lighthouse, crazy multi-room driftwood
shelters line the shore, way too close to the pounding surf for
me to be comfortable sleeping there. Some of the entryways are
accented with the skulls of sea mammals. Not surprising, as sea
lion rookeries and lay-about spots are all over offshore. The
rookeries are easily the nosiest spots of the hike during the
mating season, as males vie for dominance and procreation rights.
On this first leg of the Lost Coast journey, the
only lights visible at night are the occasional crab or salmon
boat plying the choppy waters. Not many places can you feel isolated
like this anymore. Last year, 2006, marked the first year that
more of the world's people lived in cities than in rural areas.
Hiking the Lost Coast demands a welcome shift in
the ordering of one's reality -- constant squinting from wind-blown
sand, salty lips from sea spray, keeping a roving eye out for
sneaker waves, being constantly aware of turning an ankle in
steep sand or shoreline cobbles, second-guessing yourself as
you charge down the beach when you see a faint trail angle up
into the grassy bluffs, trying to identify the plethora of shorebird
species and flowering plants amid the freshwater drainages, wondering
if the tides will stay low enough to allow passage, and how much
more painful the blisters on your feet will become during the
ensuing miles ....
Spending three days walking a thin, eroding and
shifting margin between worlds can rid one of tension and stress,
but it can also create it. Our everyday lives are filled with
technological clutter and white noise, so to be able to slough
this synthetic yoke is invigorating, but it also provides a continual
nagging by awakening a deeper, more elemental reality that lives
on long after the hike.
A trip like this really helps you sense that you
tread at the edge of multiple, divergent geographies far beyond
the obvious aquatic and terrestrial. There is the known/unknown,
historical past/unfolding present, footprint of humanity/recovery
of the natural world, feeling lost without cell phone or e-mail/realizing
you don't need it, feeling our mortality through isolation/re-realizing
we can survive without all our stuff ... Perhaps by getting "lost,"
we can begin to find ourselves again.

Email Bennett Barthelemy at bennettbarthelem@hotmail.com,
or write in care of the Journal at 145 G St., Suite A, Arcata,
95521.
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